Evaluation- Photo Object

Object and Body, Objects In Time, Photo Object, Photography As Object, Still Life, Year 2

For this photo object unit I chose to specialise in photography as object. Over the past four weeks I have investigated Still Life, Object and Body, Photography as an object and objects in time. Out of these four mini units I decide to specialise in photography as an object. I felt this subject related the most to my previous work as I come from an art and design background. Over the pass few weeks I have created a body of work relating all of the topics, the weekly workshops for each of the units I found really useful. This unit has given me the opportunity to work within different photographic environments to create work in a professional environment.

I have found this unit a good opportunity to get back into to my course after the summer break. By having such a short unit with a close deadline helped me get back into the swing of working. This project I felt had its positives and negatives, the project’s positives were it gave me a chance to familiarise myself with working in studios again and using the university’s equipment and softwhere. The downside of this project was, I didn’t feel the work I produced was to the best of my ability. I could have had more attechion to detail in my the development and making of my final collages. This project was not my strong point as I work more as a documentary and portrait style of photographer, however I am open to new ways of creating work.

Overall I am happy with the work I have produced for this unit, even though I do not feel it is the best of my abilities, I have put a lot of time had effort into this project to create the work I did. I am really looking forward to the next unit which is moving image. I have never worked with video before so I am looking forward to working with a new media. Learning from this photo object unit I am going to produce more test shoots and trails before I start to create my final piece. The eight week unit length instead of four should give me the opportunity to research more in depth and produce a higher quality final outcome.

Final piece- Photography as Object

Photo Object, Photography As Object, Year 2

For my final piece for this unit I chose to submit 3 collages looking how beauty can be manipulated. I wanted the images that I submitted to be brightly coloured and stand out to the audience. To create these set of collages I combined a number of different mediums to form the final image. I used a studio to take some basic portraits of a model, I wanted the portraits to be plain because I knew I was later going to manipulate them within my collages. Once I was happy with the portraits, I printed them off and began to cut them out. I took my time rearranging the portraits until I was happy with the ones I wanted to use.

For the next stage I bought a few magazines and newspapers and started to cut out elements from the newspaper that I would consider using for my collage. The idea was to match other models faces to my own model I used in the studio. The idea behind the making these collages was to alter the perception of beauty. It was the idea of two objects of beauty not always having a beautiful outcome. After looking at a number of different collage artists I decided I wanted to experiment with the way I attached the elements of my collage together. I experimented with things such as; string, glue, staples and thread. I wanted to investigate how different materials would look when added to the collage. I originally chose a plain background for the images however I thought this looked bare.

I wanted the portraits to have a background that complemented my theme. In the end I decided I wanted flowers as the background. Flowers seemed like the right choice for the collage background because they acted both as a juxtaposition towards the manipulated portraits and as a metaphor for beauty. I got the flowers from various gardening magazines, I chose roses because roses are seen as an immediate sign of beauty. After placing the flowers behind my existing collages. I took my collages to a group critique session at university and my peers suggested I added a different colour background and maybe some text relating to my collage. I took these points on bored and added coloured background to all three of my collages. I chose feminine colours such as; pink, yellow and orange for the background as it relates to my theme of beauty.

The final stage of creating my collages was to add text as my colleges had suggested. I chose words that related to my theme and to each individual collage. I wanted words that signified different ideas of beauty throughout femininity. I used news paper cut outs to create the words on my collages. The reason I used letters from the newspaper is because the media is where women are often objectified the most, I chose The Sun newspaper as it is know for its ‘page three’ style articles. Overall the creation of my collages has been an enjoyable experience. Collage is a medium I do not have a lot of experience in so I wanted to push myself to try something different. I am happy with the end result however I feel I could have pushed myself more in terms of the final appearance of the collage.

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History of Collage- Photography as Object

Photo Object, Photography As Object, Year 2

Collage was first introduced by cuban artists in the 20th century. The cuban movement was introduced by painters such as Pablo Picasso and Georges Braque. However early developments of collage can be seen throughout Chinese history around 200bc when the invention of paper came about. Collage wasn’t recognised as an art until the 20th century, but we can find evidence of collage during medieval times using materials such as gold leaf and metals. It can be argued that Pablo Picasso and Georges Braque were the true inventors of the collage movement.

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Both Picasso and Braque demonstrated collage techniques in there !9th century oil paintings. It can be argued the Braque was in fact the one to start the collage movement, by matching pieces of oak wall paper to his charcoal drawings. Soon after Braque’s experimentation Picasso began to experiment with the medium himself. Collage soon became a discipline that many artist experimented with. Artists such as Kurt Schwitters started playing around with using different materials to create collages. Schwitters became responsible for the invention of wood collage. Wood collage would involve the artists painting and adding different materials to wood, creating colourful and abstract pieces of art work. Collage artist Louise Nevelson to the medium further, finding scraps and gluing them to pieces to wood canvas she had created.

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The collage medium was then taken over by the photomontage era. Collage really took off during the late 20th century with collage artists such as Richard Hamilton taking the art world by storm by creating collages such as ‘just what is it that makes today’s homes so different, so appealing?’ This famous collage by Hamilton featured a classic take on a 1950’s home completely made of collage. Hamilton created the collage by using magazine cut outs he found at the time. Collage is a medium that has been used throughout the years in many important and influential pieces of work. Collage was often used during the first and second world wars to send messages to civilians, persuading them to join the war effort. Collage has become such a big part of the art world, its celebrated throughout many cultures and is something I wanted to attempt for my final piece. Collage gives us the ability to manipulate images to send important messages to the audience.

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Final Piece Development

Photo Object, Photo object test shoots, Photography As Object, Year 2

This is the first stage of the creation of my final collage piece. I am combining my own images taken in the studio with ones I have found in various magazines. My aim is to match the face of my models face, to other facial features I found in magazines. I experimented using different ways to attach the elements of the collage together. I played around with the construction of the images, for one of my images I chose to sow them together using black string. I manipulated the appearance of my own images by layering and matching them to ones I have found in magazines. The concept behind the project was to manipulate the way we see beauty, by putting models faces together I have created an inhuman being made up from other subjects of beauty.

The idea of taking the beauty of a model then manipulating that beauty by combining the models face with other subjects really interested me. Its the idea of two or more beautiful things not always having a beautiful outcome.

Experimentation-collage

Photo Object, Photo object test shoots, Photography As Object, Year 2

This is a collage I created using a number of different collage techniques. I combined; text, magazine images, book illustrations and my own images to create this experimental collage piece. Creating this piece really helped me decided which part of collage I wanted to use for my final piece. I wanted to combine lots of collage techniques so I c[could get a better idea of what looked visually pleasing and what aspects of the collage didn’t. completing this personal task has helped me decided what I want to achieve in my final collages. image00008

Annegret Soltau- Photo Object

Photo Object, Photo object research, Photography As Object, Year 2

Annegret Soltau is a well known collage artist who began her career in the 1970’s. Soltau discovered her love for art in her late teens, drawing was her way to escape from everyday life. Her early works include drawings of men and women merged into one being, it was an newspaper article about her work that triggered her to experiment with collage. A lot of the time Soltau used her own face to create the collages as people would get offended with her style of work. Soltau’s aim from her collage work was to create non-human shapes by merging different people and objects together into one ‘portrait’.

Soltau creates her famous images using her own photography, then sowing individual parts of her subjects faces on top of one another. The sowing effect is an aspect of Soltau’s work which adds to the eeriness of her final pieces. By sowing pieces of her photographs onto her other photographs Soltau creates alien beings. I love how Soltau combines different body objects so well, she is able to match certain features of peoples faces perfectly. In my final piece I am going to try different techniques to attach parts of my collages together, some of these will included sowing. By using other techniques to attach my collage together will hopefully give my work an edge.

Photogram Workshop- Photo Object

Photo Object, Photo object test shoots, Photography As Object, Year 2

Below are the results from my photogram workshop, I experimented with various objects to create these prints. Colour photograms take place in the colour dark room, I placed the light sensitive paper under the enlargers along with a selection of objects such as; rubber gloves, feathers and plants. Once I was happy with the arrangement of objects I then exposed the paper for 5 seconds and fed the exposed paper into the developing machine. Below is my results from the photogram workshop, overall I am happy with the results.

 

Cyanotype Workshop- Photo Object

Photo Object, Photo object test shoots, Photography As Object, Year 2

This week I took part in a darkroom workshop session looking at the process of cyanotypes. Cyanotype is an early form of photography put together in the black and white darkroom. Ferric Ammonium Citrate and Potassium Ferricyanide are mixed together with 100ml of water and formed into a liquid. Both chemical compounds are then poured into a container, it is important to mix the chemicals in a brown glass container so no light can get to the chemicals. After mixing all the chemicals needed I spread the mixture across some paper using and sponge. Once the mixture was on the paper I used a hair dryer to dry off any water.

The next stage was to add objects on top of the paper, I chose some stencils provided by the technical staff member. Once I was happy with the placement of the objects I then placed the objects and the paper into a concentrated light source for 10 to 20 minutes. Once the timer was done I then rinsed the print off in water, then put the finished print on the dryer. Below are my results from my cyanotype workshop. Overall I am happy with the way my cyanotypes came out. During this workshop I experimented with the timings of the exposure, I learnt that the longer I left the print in the light bed the darker and more defined the finished outcome would be. I would definitely consider working with cyanotype again, I enjoyed the practical side of process and seeing the variations of results.

 

Collage workshop- Photography as an object

Photo Object, Photo object test shoots, Photography As Object, Year 2

img_9753.jpgToday I took part in a collage workshop. I was asked to bring in some of my own photographs and any un-used magazines I had indoors. This was the perfect task for me because I am specialising in collage for this photo object unit. Above is my results from the workshop. I focused on a theme of people as I want to incorporate portraiture into my final piece. Overall I am happy with the outcome of this workshop, i managed to combine my own photographs with magazine cut outs to create with final outcome. The workshop got me thinking about how I can use my own photographs with existing ones to create a totally new outcome.

Justine Khamara – Photo Object

Photo Object, Photo object research, Photography As Object, Year 2

Justine Khamara is a well known Australian artist who works a lot with collage. I chose to look at the work of Khamara because her works links very much to the photograph becoming an object part of this unit. Khamara works by layering images on top of one another to create massive amounts of texture and density, turning the photographs into amazing elaborate shapes. Khamara produces her work by using her own portrait photography, she produces most of her portraiture work in the studio however she does also use environmental portraits in her collage work. Khamara’s most typical way of creating her collages is to shred her images into fine pieces, after shredding her photographs she carful re-arranges them to form elegant sculpture like collages.

The end result of Justine Khamara’s work could be presumed to be digitally edited using photoshop, however this is not the case. Khamara’s work is all put together by hand. In response to looking at Khamara’s work I myself am going to try some different collage techniques. Since my strong point as a photographer is portraiture I am going to combine my skills as a portrait photographer with collage techniques. I am going to try a number of different methods such as; painting over images, ripping them apart, layering and manipulating materials. By manipulating my images in these various ways I am interested in the different results I get. During my experimentation I hope to gain a potential final piece idea. I have finally settled on the idea of collage or photo manipulation for my final piece.

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